Unweaving 'The Odyssey': Barbara Köhler’s 'Niemands Frau'

Rebecca May Johnson
9 August 2019
245 × 163 mm
264 pp
Formats:
Hardback: 978-0-85457-270-0

How has classical literature shaped culture, knowledge, the thinkable? What happens when a canonical text is translated from his gaze into her, and their, gaze(s)?  These are some of the questions Barbara Köhler pursues in her modern epic poem, Niemands Frau (2007), her response to The Odyssey. Translated and re-imagined over the centuries, Homer’s tale found critical resonance in intellectual traditions from Christianity through to Post-Colonialism. Odysseus has been viewed as an ideal, reputedly using reason rather than force to dominate, but in Niemands Frau Köhler takes inspiration from Penelope to weave a text that challenges the rationalist and patriarchal epistemological traditions to which the Odyssey contributes. Readers are invited to cast a critical and deconstructive look back as Köhler unweaves histories of misused power and patriarchy and reweaves a critically alert present, gesturing to a future when life is what counts. This study presents the first detailed analysis of Köhler’s poem, tracing the ways in which she re-invents Homer’s text, from the claim that Niemands Frau is a form of ‘translation’ to its complex re-workings of the Homeric figures Penelope, Helen of Troy, Tiresias and Odysseus.

Rebecca May Johnson completed her PhD at University College London before joining Newcastle University, where she teaches literature and creative writing and is writing a book of creative non-fiction about gender, cooking and researching food in post-war British women’s writing and cookery books.

 

Introduction 
1. Niemands Frau as a ‘Minor’ Translation of the Odyssey from ‘er’ to ‘sie’
2. ‘Penelope’s Web or, “the Voice[s] of the Shuttle”'
3. Helen of Troy: the Image, Power and the Impoverishment of Life 
4. The Possibility of Recognizing and Loving ‘Niemand’ 
5. Tiresias, Turing and Dystopian Transformations
6. The Genealogy and Operation of Patriarchal Power in Niemands Frau 
Conclusion
Bibliography