Classics
Emotion in the ancient Greek and Roman worlds is now an established field of research in classical studies, but so far scholars have made surprisingly few attempts to investigate the emotions of the two cultures in comparative terms.
In this innovative and timely collection, nine leading scholars make a start on that project. Topics include: differences between the Greek and Roman emotional repertoires; the semantic fields and scripts covered by comparable Greek and Latin terms; the impact of bilingualism; the fate of emotion terms in translation; the way Roman authors deal with the emotional aspects of their Greek literary models; Greek and Roman views of the emotional character of their counterparts in the other culture.
Ovid was the most influential and widely imitated of all classical Latin poets. This volume publishes papers delivered at a conference on the Reception of Ovid in March 2013, jointly organised by the Institute of Classical Studies and the Warburg Institute, University of London.
It presents studies of the impact of Ovid’s work on Renaissance commentators, on neo-Latin poetry and epistolography, on Renaissance engravers, on poets like Dante, Mantuan, Pontano, Ariosto, Tasso, Spenser, Lodge, Weever, Milton and Cowley and on artists including Correggio and Rubens.
The main focus of the volume is inevitably the afterlife of the Metamorphoses but it also includes discussions of the impact of Heroides, Fasti, and...
This special Bulletin Supplement contains seven essays which deepen and extend our knowledge of classical reception and the history of scholarship. Two of them deal with books: John Davies examines a little-known life of the tyrant Agathocles of Syracuse published in the 1660s in which the more recent ‘tyrant’, Oliver Cromwell, is targeted, while Christian Flow surveys the agendas and self-images of Latin lexicographers from the Estiennes in the sixteenth century to the Thesaurus Linguae Latinae, still in progress.
Three essays are devoted to classical journals: Graham Whitaker surveys German nineteenth-century periodicals in relation to F. A. Wolf’s conception of Alterthumswissenschaft; Ward Briggs gives an account of...
Menander set Perikeiromene, or the ‘Woman with shorn head’ in Corinth, famous for its beautiful women, at a time when the city's troubles were at their height owing to the Macedonian conquest of Greece. The story reflects in miniature some of the turbulence of the times. A mercenary soldier Polemon returns home from service to discover, as he thinks, that his girl, Glykera, has found another lover. In a fit of jealous rage he shears off her hair and goes off to drown his sorrows with companions. Glykera promptly moves out from Polemon's house to the neighbour's house, in which her purported new lover Moschion lives. But all is not as it seems...
Typically for the genre of New Comedy, Menander takes his characters to the...
The impact of Roman imperialism and expansionism on religious life in the newly incorporated areas...
This volume in honour of the late Eric Handley, one-time Regius Professor of Greek at the University of Cambridge and Director of the Institute of Classical Studies, offers a set of essays connected with Eric’s main scholarly interests and written by friends, colleagues, and former students.
Eric’s great love and facility for piecing the past together from whatever fragments of it survive, be they papyri or pots, in different ways inspired all the contributors, and their affection for him is encapsulated in a final Tribute to one of the pre-eminent classical scholars of his day.
This volume contributes to the growing field of research on Galen as a philosopher, with pieces devoted to his epistemology, his physics, and his theory of soul and human nature. His self-conception as a ‘philosophical’ author is also discussed, as is the question of whether his works were intended as contributions to the genre of philosophy.
This edited volume collects together peer-reviewed papers that initially emanated from presentations at Digital Classicist seminars and conference panels.
This wide-ranging volume showcases exemplary applications of digital scholarship to the ancient world and critically examines the many challenges and opportunities afforded by such research. The chapters included here demonstrate innovative approaches that drive forward the research interests of both humanists and technologists while showing that rigorous scholarship is as central to digital research as it is to mainstream classical studies.
As with the earlier Digital Classicist publications, our aim is not to give a broad overview of the field of digital classics; rather...
- Volume 1. Introduction: in dialogue with the past / Anastasia Bakogianni
- Section 1. Theoretical approaches and concerns. Chapter 1. The audience in classical reception studies. The problem of the spectators: ancient and modern / Lorna Hardwick
- Greek tragedy and the modern director / Helen Eastman
- Chapter 2. Reception and the source text. Hallucination, drunkenness, and mirrors: ancient reception of modern drama / Chiara Thumiger
- Throwing out the menos with the bath water: the Sophoclean text vs Peter Stein's Electra (2007) / Efimia D. Karakantza
- Section 2. The classical past in Hellas. Chapter 3. Modern Greek performance reception. All the king's patriots? The Persians within the...