Bulletin of the Institute of Classical Studies Supplements

Plato is perhaps the most readable of all philosophers. Recent scholarship on Plato has focused attention on the dramatic and literary form through which Plato presents his philosophy, an integral part of that philosophy.
The papers in this volume for the first time consider Aristotle and the Stoics as readers of Plato. That these successors were influenced by the thought of Plato is a commonplace: the ‘whole of western philosophy is a series of footnotes to Plato’.
Arising from Institute of Classical Studies Research Seminars in 2004-5 and 2005-6, the papers in this volume rather consider whether and how the philosophical concerns of these later thinkers were served were served by close reading of Plato,...

From Caria to English country houses and iconography to architectural reconstruction, over the past 40 years Geoffrey Waywell has transformed our understanding of Greek sculpture and opened the way for new generations of scholars.
In this volume, a celebration of his career on the occasion of his retirement, past and present students, friends and colleagues explore ideas, monuments and regions which reflect the great breadth of his research interests.
Essays range from iconographical studies of Myron's Discobolos, to the reconstruction of the Mausoleum of Halicarnassus, an exploration of the role of attribution, and a celebration of one of the works saved for the nation on Geoffrey Waywell's advice, the Jennings dog now in...

To be published in 10 volumes, the work has been supported by the British Academy and the Arts and Humanities Research Council, the University of Leeds and the University of Reading, and the Römisch-Germanisches Zentralmuseum.
This is the first catalogue of its type to appear since Felix Oswald’s Index of Potters’ Stamps on Terra Sigillata (‘Samian Ware’), published in 1931. The importance of samian as a tool for dating archaeological...

By the Sweat of Your Brow brings together the contributions of seven scholars from the UK and the European continent on different aspects of the socio-economic setting of Roman slavery.
Individual chapters discuss the slave chapter of Diocletian’s Edict on Maximum Prices, the relationship between slave and free labour, the status of managerial slaves such as vilici and dispensatores, the use of legal sources for our understanding of the role of slavery in Roman society, the unchanging nature of slave prices from classical Athens and late antique Rome, the similarity in discourse and reality of the functions carried out by estate managers in ancient Rome and modern slave and serf societies, and, last, the...

To be published in 10 volumes, the work has been supported by the British Academy and the Arts and Humanities Research Council, the University of Leeds and the University of Reading, and the Römisch-Germanisches Zentralmuseum.
This is the first catalogue of its type to appear since Felix Oswald’s Index of Potters’ Stamps on Terra Sigillata (‘Samian Ware’), published in 1931. The importance of samian as a tool for dating archaeological...


Epitrrepontes, or 'The Arbitration', which Menander produced around 300 BC, tackles the modern-sounding subject of a broken marriage. Charisios has left his young wife Pamphile over a suspected infidelity and moved in with his neighbour to drown his sorrows in wine and women, specifically, a spirited harp-girl called Habrotonon. The irate father-in-law will not tolerate this waste of a good dowry and demands of his daughter that she divorce. Bravely she holds out against her father's tirades and remains loyal to her husband.
A complex and masterly dramatic sequence ensures that by the end 'all's well that ends well' - and Menander has struck a blow for equality of the sexes, for understanding over arrogance and pride.
A...

The name of Pheidias and the renown of his sculptural masterpieces have resonated through the centuries. Pheidias’s works were endlessly copied by the Romans and his name was used to denote excellence well beyond Antiquity. His statue of Zeus at Olympia was regarded as one of the seven wonders of the ancient world, and the Athena Parthenos has linked his name forever with the Parthenon and its sculptures. And yet there is no firm proof that any surviving original is by his hand.
What can we know about Pheidias and his work? This book attempts to answer this question by presenting both the archaeological and the written evidence for the output of this remarkable artist. It assembles and assesses all the available material in order...

To be published in 10 volumes, the work has been supported by the British Academy and the Arts and Humanities Research Council, the University of Leeds and the University of Reading, and the Römisch-Germanisches Zentralmuseum.
This is the first catalogue of its type to appear since Felix Oswald’s Index of Potters’ Stamps on Terra Sigillata (‘Samian Ware’), published in 1931. The importance of samian as a tool for dating archaeological...