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Institute of Modern Languages Research


This book examines a corpus of frenetic novels – by Balzac, Barbey d'Aurevilly, Zola, Huysmans, Bloy and Bernanos – that foreground the motif of fever within a recurring masterplot: a pious young woman, just discovering her sexuality, finds herself torn between two father-figures, a doctor (typically a blood relative, often the biological father) and a priest (the spiritual father). She contracts a disease of uncertain origin, made manifest by a series of fevers that require interpretation in the light of contemporary religious, medical and literary discourses. Manzini traces the motifs of fever and frenzy back to Rousseau, the Gothic novel and Frenetic Romanticism, as well as forward to their recuperation within Surrealism, in order to produce an original history of Frenetic Catholicism in the age of realism.

Francesco Manzini is a Junior Research Fellow in French at Oriel College, Oxford, and author of Stendhal's Parallel Lives (2004). He has also published numerous articles on nineteenth-century French literature.

Table of contents

1. Introduction: Frenetic Romanticism
2. Balzac’s Le Livre mystique and Ursule Mirouët
3. Barbey d’Aurevilly’s Un prêtre marié
4. Zola’s La Faute de l’abbé Mouret
5. Huysmans’s En rade and Sainte Lydwine de Schiedam
6. Bloy’s Le Désespéré and La Femme pauvre
7. Bernanos’s Sous le soleil de Satan and Nouvelle Histoire de Mouchette
8. Conclusion: Frenetic Surrealism


'... a stimulating, original and important contribution not just to fiction studies but to a more general understanding of French culture and society.'
(Modern Language Review)