The Concept of the Book: The Production, Progression and Dissemination of Information

Edited by Cynthia Johnston
28 January 2019
229 × 152 mm
Formats:
Paperback: 978-0-9927257-4-7

If we push the definition of a ‘book’ beyond the traditional form of the codex to encompass cuneiform tablets, papyri, as well as the printed and digital book- just what is the essence of its purpose? Featuring contributors from a wide range of disciplines such as art history, medieval studies, ancient Near-Eastern history, information management and the history of the book, this ambitious new release explores the biography of the concept of the book, and its function across millennia.  

The volume analyses the role of the book as a tool of communication. It examines a broad conceptual range; from the evolution of medieval encyclopaedia, 17th century pamphlets on witchcraft trials, and the role of books produced as propaganda by the Ministry of Information in Britain during the Second World War. It covers an impressive timespan and geography, detailing accounting systems in ancient Assyria, the dissemination of Aristotelian texts in late medieval Europe, and the Penny Post in 19th-century England. This volume boldly demonstrates the functionality of the book to be as diverse as human endeavour.

Introduction
Cynthia Johnston

1. Recasting book history
Simon Eliot

2. Information flows in rural Babylonia c. 1500 BCE
Eleanor Robson

3. The circulation of history books in twelfth-century Normandy
Laura Cleaver

4. Some medieval readers of Aristotle
Pamela Robinson

5. The encyclopedia and the codex: pages, margins and entries
Katharine Schopflin

6. The Wonderful Discoveries: English witchcraft and early Stuart pamphlet culture
Jessica Starr

7. ‘Propaganda bestsellers’: British Official War Books, 1941–6
Henry Irving