Giving Zeus a C-section: Gynaecology and medicalised violence in Lucian of Samosata

This paper explores ancient pregnancy and birth through the lens of some unusual texts: Lucian of Samosata's depictions of pregnant men (Zeus in the Dialogues of the Gods and the Moon-men in True History). The characters in these texts are subjected to medicalised violence, voyeuristic "scientific" speculation, and the objectifying lens of ethnographic curiosity. The unique positioning of gender-non-conforming pregnancy brings out the power dynamics inherent in medical care and scientific study, offering a new lens on how pregnancy is depicted in other sources. My talk will foreground parallels between these experiences and those of trans and nonbinary pregnant people in the present day, as portrayed in media and legislation; as well as being a reminder that trans bodies are not a culturally "new" phenomenon, these texts can help us recognise modern experiences of marginalisation and medical violence.

Ancient Violence and Contemporary Receptions: Challenges and Perspectives

The forms and perceptions of violence in the ancient world remain a widely debated issue in contemporary scholarship. This speaker series aims to explore the various ways in which violence was conceptualized, represented, and interpreted in antiquity, as well as its reception and reinterpretation in modern contexts. By bringing together scholars from different disciplines, including history, philosophy, material culture, and literature, the series seeks to offer a comprehensive perspective on the role of violence in shaping ancient societies and its lasting impact on contemporary thought.

Through this interdisciplinary approach, the series aims to provide new insights into the multifaceted nature of violence in antiquity and its enduring influence on modern societies. By critically engaging with both ancient sources and their receptions, the discussions will contribute to a deeper understanding of how violence has been, and continues to be, a crucial element in shaping cultural and intellectual traditions.

The series will open with a reflection on the historiographical and ideological dimensions of violence, considering how modern interpretations have shaped and, at times, distorted our understanding of its role in antiquity. This methodological approach will serve as a foundation for further discussions on the philosophical, theological, and political implications of violence in the ancient world, including its intersections with slavery, power structures, and social hierarchies. Further sessions will examine the ways in which violent acts and representations of violence have been mediated through various forms of cultural production. This includes an exploration of textual and visual narratives, considering how translation, adaptation, and artistic representations have framed and reshaped perceptions of violence across time. Special attention will be given to the ethical and ideological implications of these reinterpretations, as well as their resonance in contemporary discourse.

The series will also engage with the reception of violence in modern media, from literature to film, and its role in educational and rehabilitative contexts. By analyzing how ancient violence is reimagined in contemporary storytelling, the discussions will highlight the pedagogical and social functions of these narratives, particularly in addressing issues of justice, identity, and historical memory.

Image of Sculpture: Why Born Enslaved! – a sculpture by Jean-Baptiste Carpeaux