*CANCELLED* Artistic Responses to (Intelligent) Machines
Unfortunately, we have had to postpone this event. It will be rescheduled at a later date.
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Technology is often portrayed as an independent force, driving social and cultural change untethered from the people who created it. In today’s conversations about artificial intelligence, we hear this perspective in the warnings of how these technologies promise to change society (and the humans that happen to be part of it). The dynamics pointing in the other direction—how the particularities of being human shape the AI machinery—usually receive less attention.
We know that human fallibility is deeply encoded into any technology, but how do social beliefs and cultural representations shape AI development? Whose desires, fears and aspirations influence how societies relate to or talk about AI technology? How does social inequality leave its imprint on the tools we choose to build?
In this event, we ask how artistic practice can open up different ways of understanding ‘intelligent machines’ and where it can be used to reclaim technologies for more fundamentally human purposes. The conversation will be led by Melanie Frances and Leonie Rae Gasson, artistic directors of the XR theatre lab Produced Moon, and will feature Jake Elwes, artist, hacker, radical faerie, neuroqueer and researcher, and Dr Alice C Helliwell, Assistant Professor of Philosophy at Northeastern University London.
The event is hosted by the Digital Humanities Research Hub at the School of Advanced Study and curated in collaboration with Produced Moon. It is kindly funded by the John Coffin Memorial Trust.
Speaker Bios:
Jake Elwes is an artist, hacker, radical faerie, neuroqueer and researcher living in London. Across projects that encompass moving-image installation, sound and performance, Jake’s work finds unusual ways of demystifying, mapping and subverting technology. Their work searches for poetry and narrative in the successes and failures of digital systems. Works include deepfake drag in The Zizi Project, glitching oppressive algorithms in Machine Learning Porn and reframing AI generated marsh birds back into nature in CUSP. They have been making art exploring the aesthetics and ethics of machine learning systems since the very first generative AI models in 2016. Jake’s work also calls for us to challenge who builds these systems and for what purpose, and whether we as artists and queers can reclaim these technologies to build our own digital utopias.
Alice C Helliwell is Assistant Professor in Philosophy at Northeastern University London where she specialises in the philosophy of artificial intelligence, ethics, and aesthetics.She completed a PhD on the philosophy of AI art at the University of Kent and is an active associate member of the Aesthetics Research Centre at Kent. Alice’s research is focused on the philosophical implications of computational creativity and art made by artificial intelligence. Her research aims to answer questions such as: Can AI meet the requirements of creativity? Can AI have the requisite agency or mind to be creative or make art? What are the aesthetics of AI art? And what are the ethical implications of AI creativity? This philosophical work is grounded in concrete examples from computational creativity and machine intelligence research, and draws on work from philosophy of mind, aesthetics, and ethics.
Produced Moon are a creative XR theatre lab based in Glasgow. They create playful, unsettling and magical experiences with audiences at the centre. Produced Moon’s founders and artistic directors are digital artist and mathematician Melanie Frances and queer immersive theatre maker Leonie Rae Gasson. They work collaboratively together, and with other creatives, scientists, technologists and programmers to experiment, explore and develop ideas and projects using mixed reality and live performance. The foundation of their work is the time spent in their XR lab environment, testing, experimenting, disrupting and playing with emerging technologies and new ideas around live performance. Their work includes sell-out runs at the Edinburgh Fringe and they have been commissioned by a range of organisations in Scotland including Traverse Theatre in Edinburgh and Tron Theatre, Platform, and Citizens Theatre in Glasgow.
All welcome
This event is free to attend, but booking is required. It will be held online with details about how to join the virtual event being circulated via email to registered attendees 24 hours in advance.
This page was last updated on 30 July 2024