Heinrich Wölfflin in the Hispanic World

Heinrich Wölfflin in the Hispanic World
8 February 2017, 5.30pm - 6.30pm
Warburg Institute, Woburn Square, London WC1H 0AB

Professor Tristan Weddigen, University of Zurich

One century from the first publication of one of the most influential books of art history, Heinrich Wölfflin's "Principles of Art History" of 1915, the paper explores one major part of its global reception: its impact on Hispanic and Latin American art and architectural history and aesthetics since the 1920s. The aim is to show how Kunstwissenschaft was translated, adopted, and appropriated for the construction of national, political, ethnic identities.

The Bilderfahrzeuge Project

The research project ‘Bilderfahrzeuge. Aby Warburg’s Legacy and the Future of Iconology’ sets out to explore the migration of images, objects, commodities, and texts, in short: the migration of ideas in a broad historical and geographical context. It is funded by the German Ministry of Higher Education and Research, realised in cooperation with the Max Weber Stiftung, and situated at the Warburg Institute, London, as well as at the Deutsche Forum für Kunstgeschichte (Paris), Humboldt-Universität zu Berlin, Kunsthistorische Institut (Florence), and Warburg Haus (Hamburg). Each institution is represented by one of the five Professors who also direct the research project: Andreas Beyer (Basel/Paris) who is also functioning as the research centre’s speaker, Horst Bredekamp (Berlin), Uwe Fleckner (Hamburg), David Freedberg (London), and Gerhard Wolf (Florence). For more information on the Bilderfahrzeuge Project please visit our website at https://iconology.hypotheses.org


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